However, if you really want to create interest and drama in your photographs, the absence of light is just as important.
Shadows in the wrong place can ruin a good picture. Mid-day sunlight and florescent light from the ceiling can create ugly shadows in people's eye sockets or under their noses or chins.
Don't be afraid of shadows, though. If you really examine the light in your scene, shadows can make your photographs really come alive.
It's the interplay between light and shadow that reveals shape, form and texture. That interplay creates contrast and drama. Shadows themselves can even become the main subject of your photograph.
Rachel Z unleashes her stylistically diverse music on the audience at the Savannah Jazz Festival in 2004. The spotlight from behind creates drama and reveals form by highlighting the edges of the subject. |
President George W. Bush returns to Air Force One
after stumping for Republican candidates in Savannah in 2003. Seemed appropriate to photograph a cowboy riding (flying?) off into the sunset. |
Using light from behind a subject is most obvious in silhouettes. Silhouettes with pretty sunrises or sunsets are popular, but also a bit cliche. Properly exposing backlit subjects to reveal some detail in your subject without blowing out the background is tricky and requires some practice. But light from behind can accentuate the form of your subject by highlighting the edges.
If you really want to take your photography to the next level, start exploring light and shadow. Don't be stationary. Walk around your subjects and notice how the interplay of light and shadow changes. Pay attention to how the quality of light changes with the time of day.
And don't be afraid of the dark.
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